Nicholas Vincent is a passionate environmentalist and freelance writer. He is deeply committed to promoting... Nicholas Vincent is a passionate environmentalist and freelance writer. He is deeply committed to promoting sustainability and finding solutions to the most pressing environmental challenges of our time. In his free time, Nicholas enjoys the great outdoors and can often be found exploring some of the most beautiful and remote locations around the world. Read more about Nicholas Vincent Read More
The new film “Twisters,” featuring Glen Powell and Daisy Edgar-Jones, navigates the thrilling escapades of storm chasers amidst a backdrop of increasingly violent tornadoes but notably omits any mention of climate change. Director Lee Isaac Chung emphasizes a desire to keep the film free from overt messages, focusing instead on the personal and immediate impacts of tornadoes on human lives.
Source: Universal Pictures/YouTube
While “Twisters” aims to entertain rather than educate, the silence on climate change raises questions, given the context of evolving weather patterns. Scientific studies indicate that the behavior of tornado-generating supercell thunderstorms is changing, with these storms occurring more frequently and in regions outside the traditional Tornado Alley, such as the Southeast and Midwest of the United States. These changes also include an extension of the tornado season beyond its usual springtime window, with deadly outbreaks occurring as late as December.
Despite this growing body of evidence, the film chooses not to address the potential role of Global warming in altering storm patterns. This choice is defended by Chung, who argues that cinema’s role is not to preach but to reflect reality—a reality that in “Twisters” includes the dramatic and devastating power of tornadoes without a direct nod to their possible climatic connections.
The film also touches on the human aspect of storm chasing through its characters, like Anthony Ramos’ Javi, who sees storm chasing as a way to save lives. The portrayal of tornadoes tearing through urban Oklahoma landscapes hints at increasing storm threats, yet stops short of discussing their broader environmental triggers.
Chung’s approach to “Twisters” remains consistent with his previous works, focusing on personal narratives rather than broader social or environmental issues. His background, including a childhood close to Tornado Alley, informs his depiction of tornadoes as awe-inspiring yet destructive forces of nature.
While “Twisters” may skirt the issue of Climate change, it provides a riveting look at storm chasing and the personal stories intertwined with these powerful natural events. As tornado patterns continue to evolve, the absence of dialogue on their link to climate change stands out, reflecting a choice to prioritize story over science.

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